Quake
a dead deer at the bottom of the ocean
a compost pile for poetry
I want to make paper out of mists & algae
but I have lost the mother,
a raw chicken-like mass in a Ziploc bag
I forgot at the bottom of everything.
time bites me when I let it
I take steroid dose packs and wait for the fire to vanish.
I am pumped up; daydreams of myself
as James Dean in my white tank,
bending over someone I claim as mine.
would it be stupid to write an entire book
with nothing but images?
you did it, & you, & you.
to be in dialogue across a space-time abyss:
is this a goal worth having?
or rather, should I crumble, and keep
the lights shut off?
at night when I am in my bed
my body turns into a mountain.
I have been known to quake.
what am I to do with all this boredom
stretching wide?
I wanted the world
but all I got was a new barn jacket.
I tried to tell myself that it would be enough.
so: when I go home today, I’ll turn
photographs of the night sky into a sheet of
felt we might lie beneath, for a while.
to sleep like that, covered in sky.
Vanessa Holyoak is a Los Angeles-based interdisciplinary writer and artist. Their writing—spanning lyrical nonfiction, hybrid fiction, art criticism, and poetry—explores the fluid dimensions of identity through intimate engagements with memory, loss, and opacity. Their visual art practice bridges intermedial installation and photo poetics to take up questions of diasporic and ecological disappearance. Holyoak's first novel, I See More Clearly in the Dark, published in 2023 by Sming Sming Books (second edition and ebook 2025), explores the longing for forestial darkness in an era of hyper-illumination. They are currently working on an essay collection on the loss of their childhood home in the Los Angeles fires. Holyoak’s writing has been published in Artforum, ASAP/Journal, BOMB Magazine, Contemporary Art Review Los Angeles, East of Borneo, e-flux, frieze, Hyperallergic, the Los Angeles Review of Books, TURBA: The Journal for Global Practices in Live Arts Curation, and elsewhere.